Pages 120, 121. Most orders will be delivered … The Massacre at Chios 1824 Oil on canvas, 419 x 354 cm Musée du Louvre, Paris: A spectacular illustration of the enthusiasm aroused amongst the romantic youth by the revolt of the Greeks against the Turks, the Massacre at Chios was directly inspired by the savage Turkish repression of the population of the island of Chios in April 1822. But at the foot of the pyramid, an old woman raises her head to gaze into the sky, and to her right a baby seeks maternal comfort from a clenched-fisted corpse. The piece itself features a scene of misery and pain, showing the events of the Chios Massacre. At this time Delacroix was not famous, and had yet to paint a canvas that was to be hung for public display. It was withdrawn from the museum in November 2009 in a "good faith initiative" for the improvement of Greek-Turkish relations. In response, Ottoman troops landed on the island and killed thousands. The Chios Massacre. Naturally, Delacroix's painting aroused considerable attention in Greece. Credit: … [2] Greeks from neighboring islands had arrived on Chios and encouraged the Chiotes to join their revolt. In recognition of Chios central economic role, the Ottoman Empire allowed Chios almost complete control over its internal affairs as Chios’ trade and the very highly-value… The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the Island of Chios in the Chios massacre. [6] On this unlikely layout of characters, Delacroix commented, "One must fill up; if it is less natural, it will be more beautiful and fécond. [10][11][12] Two studies Delacroix worked on at this time, Head of a Woman and Girl Seated in a Cemetery, show the combination of unexaggerated modelling and accented contour he was striving to incorporate into his larger work. [4], Reinforcements in the form of a Turkish fleet under the Kapudan Pasha Nasuhzade Ali Pasha arrived on the island on 22 March. This seeming detachment, coupled with the vacant stare of the dying man lend to this group an air of despondent resignation. The Chios massacre was the killing of tens of thousands of Greeks on the island of Chios by Ottoman troops during the Greek War of Independence in 1822. The Massacre at Chios by Eugene Delacroix. The pyramidal arrangement that governs Géricault's painting is similarly seen with the figures in the foreground of The Massacre at Chios. Scenes from The Massacre At Chios by Eugène Delacroix, first exhibited in 1824, two years after the massacre, and bought by King Charles X for The Louvre in Paris. In the event, he decided to paint his Dante and Virgil in Hell, but even as this painting was revealed to the public in April 1822, the atrocities at Chios were being meted out in full force. Interpreting Delacroix in the 1820s: Readings in the art criticism and politics of Restoration France, Elisabeth A. Fraser, Yale University, 1993, Chapter Three, Delacroix's Massacres of Chios: Convenance, Violence, and the viewer in 1824. Page 19. The most frightening event in the history of Chios occurred in 1822 when the Turkish Sultan Mahmud II (1785-1839) gave the order to kill all men over 12, all women over 40 and all children younger than 2 years. Estimates of the number of those slaughtered ran upward of 50,000, with an equal number enslaved. The area between the two pyramids contains two soldiers in shadow, and two more Greek victims–a young man embraced by a young woman. In 2009, a copy of the painting was displayed in the local Byzantine museum on Chios. [5][unreliable source? Into slavery children in front of him, but it does not fall on them were enslaved and... 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